The XDJ-RX2 is made of an all-plastic (like DENON DJ X1800 ) enclosure similar to what you’d find on a CDJ-2000NXS2. It’s quite heavy, and the first thing that you notice is that it looks very much like a combination of several Pioneer DJ products: the DJM-450‘s mixer and effects section, the CDJ-2000NXS2 media player’s screen, and the jogwheels and pad layout of the DDJ-RX controller.
At the face of the unit you’ll find a two-channel mixer with three-band EQ control and Sound Color FX knobs, four Sound Color FX buttons and a Parameter knob, eight Beat FX, two jogwheels, loop controls, two USB ports (more on them later), two-channel mic section with volume and EQ controls, a 7″ touchscreen, new browse knob and menu button placements, and eight brand new rubber RGB-backlit performance pads per deck.
Round the back are two pairs of RCA phono / line inputs, two TRS combo mic inputs, an aux input, a pair of XLR and RCA master outputs, 1/4″ booth outputs, and an IEC / three-prong power socket.
I plugged the XDJ-RX2 to my speakers, slotted in a thumb drive, and got to work
The jogwheels on the XDJ-RX2 are the same size as the original. They’re as slick and responsive as any Pioneer DJ controller out there – that’s because these are “touch capacitive”, which means you don’t have to press down on the jogs in order to “stop” a track or scratch. That’s in stark contrast to the mechanical jogwheels that appear on standard CDJs and XDJs, which you have to press in order to get the track playing to stop or if you want to scratch. It’s not a big jump in terms of feel.
What may take some getting used to is how “loose” the jogwheels themselves are: on more expensive CDJs (eg the CDJ-2000NXS2) and the DDJ-RZ there are knobs that let you adjust the jogs depending on how tight you want them. I’ve got used to having them in the tightest setting, so going from tight jogs to the relatively loose jogs on the XDJ-RX2 took me a few minutes to get used to, which led to some overcorrections when it came to speeding up / slowing down a track using the jogwheels. Not a dealbreaker, but one to bear in mind if you prefer tight jogwheels.
Other than that, the jogs performed as they should, and are highly responsive.
One of the big new features on the XDJ-RX2 are the brand new performance pads: gone are the four chiclet-esque blue pads per deck (a product of last-gen Pioneer DJ controllers in the style of the DDJ-SR). In place are eight square, rubber performance pads that have LED backlights. They have a more muted look to them – the lights only appear along each pad’s edge – and they look classy.
They have a nice “fight” to them when you press down, and a quick cue juggle feels satisfying – these have got to be some of Pioneer DJ’s best pads, at least as far as pad feel goes.
The performance pads have a revamped pad function button set as well – you’ve now got Hot Cue, Beat Loop, Slip Loop, and Beat Jump. Hot Cue lets you trigger cue points (which you can now colour-code), Beat Loop lets you place auto loop points of varying sizes, Slip Loop allows you to place an auto loop while the track continues to play and picks up when you remove the loop, and Beat Jump lets you move forwards or backwards in a track in different note values.
The Shift button, formerly sitting in the pad function row (a poor design choice), has now been moved to a spot above the transport controls, which is a better and more logical decision, and also the reason why it’s got more performance pad functions now.
Mixer
The XDJ-RX2 has a two-channel mixer with a three-way switching matrix for three inputs: laptop, line, and phono. Each channel has a three-band EQ with a trim pot, Sound Color FX knob and volume fader. The crossfader has two curves (sharp and smooth), plus a Thru mode for bypassing it.
The line and phono inputs allow you to connect CDJs / line level devices and turntables to the XDJ-RX2, which then acts as a standalone mixer. It’s worth noting that despite the line / phono connectivity, the XDJ-RX2 is not Rekordbox DVS-compatible, meaning you won’t be able to spin timecode CDs or vinyl through it.
The headphone and master output cue buttons now appear in the centre of the XDJ-RX2’s mixer, which is a more logical placement compared to the original XDJ-RX where the cue buttons were on the lower left, presumably to make room for the library browse and load section, which has now been relegated to the touchscreen above the unit.
The screen on the XDJ-RX2 gets a touch upgrade – that means you can now access the Qwerty keyboard found on the XDJ-1000 and CDJ-2000NXS2, and you can also use it to do a “needle search” on a track that you’ve got playing. Unfortunately, that’s the only thing that you can do with it on the XDJ-RX2 at the moment – since multitouch and touch gestures still haven’t made an appearance on Pioneer DJ gear, the touch capabilities on the XDJ-RX2 feel a bit like an afterthought, kind of like a “me too” update. To be fair, the lack of a Qwerty keyboard was one of the biggest gripes of users who own the original XDJ-RX, but it would’ve been nice if Pioneer DJ added more functionality and library browsing convenience via the touchscreen (have you seen what the Denon DJ SC5000 Prime can do?).
Having said that, it’s better than nothing – browsing through your collection and looking for tracks are still miles better on the XDJ-RX2 than in the original because of the touchscreen, and this alone could be enough for DJs who have large collections (eg mobile DJs) to upgrade. You also get the Track Filter button, which lets you specify criteria to help you zero in on tracks in your USB drive, and the user-assignable Shortcut button under the Browse knob, which now appear beside the touchscreen, just like what you’d find on a CDJ-2000NXS2.
Effects
A modern DJM mixer has two kinds of effects onboard: Sound Color FX and Beat FX. Sound Color FX are switchable effects that can be manipulated using the Sound Color FX knob in each mixer channel. This is where you’d find the most commonly used DJ effects such as Filter. The XDJ-RX2 has four: Filter, Dub Echo, Noise, and Sweep, which are the same four that you’d find on the just-released DJM-450 (for reference, the DJM-900NXS2 has six Sound Color FX – Filter, Dub Echo, Noise, Sweep, Crush, and Space).
Beat FX, on the other hand, are more intermediate time-based effects that can be modulated (or modified) using note values or time settings. You are able to manipulate the effect by setting a note value using the Beat knob (eg a quarter note, eighth note, 16th note) or a time in milliseconds thru the Time knob. You can also tap out the tempo using the Tap button. These effects can be great for making big, sweeping builds or sharp, specific techno drum echoes. There are eight Beat FX in all: Delay, Echo, Spiral, Reverb, Trans, Flanger, Pitch, and Roll.
You are also able to select which channels are affected by the Beat FX via a switch: you can choose from effecting individual channels, the mic input, aux input, or the entire master output.
