Talking About Locksmithing Matters

Almost every exterior doorway in the world has a lock and at times when those locks are broken or keys lost, there is a need for a locksmith. The locksmith industry is a small field that is constantly in demand -- regardless of the fluctuating market and the changes in technology. Read the tips listed below and learn about how you can become a emergency locksmith.

Education While becoming a locksmith does not require formal education, it does require extensive training and apprenticeships to become a certified locksmith. Courses include study in rekeying, 24/7 car lockout, safe combination changing, code cutting and business organization. Depending on where you live, apprenticeships may be as long as four years, but they are paid positions.

Certification Obtaining certification is not a legal requirement in the locksmith industry. However, obtaining certification will provide you with credibility and increase your earning potential. The Associated Locksmiths of America (ALOA) administer certification exams and grant a number of designations, including Registered Locksmith, Certified Automotive Locksmith and Certified Master Safe Tech.
Personal Characteristics There are a number of traits and skills that you should possess if you want to be a successful and in-demand locksmith. You will need mechanical knowhow, excellent hand-eye coordination and outstanding people skills. Being a locksmith is as much about forming relationships with people as it is about locks.

If locks and safes are something that interests you, consider becoming a locksmith. It is a career that allows you to be self-employed with the flexibility to create your own hours and the ability to move to another city or country and continue your profession.

Pioneer DJ XDJ-RX2

The XDJ-RX2 is made of an all-plastic (like DENON DJ X1800 ) enclosure similar to what you’d find on a CDJ-2000NXS2. It’s quite heavy, and the first thing that you notice is that it looks very much like a combination of several Pioneer DJ products: the DJM-450‘s mixer and effects section, the CDJ-2000NXS2 media player’s screen, and the jogwheels and pad layout of the DDJ-RX controller.

At the face of the unit you’ll find a two-channel mixer with three-band EQ control and Sound Color FX knobs, four Sound Color FX buttons and a Parameter knob, eight Beat FX, two jogwheels, loop controls, two USB ports (more on them later), two-channel mic section with volume and EQ controls, a 7″ touchscreen, new browse knob and menu button placements, and eight brand new rubber RGB-backlit performance pads per deck.

Round the back are two pairs of RCA phono / line inputs, two TRS combo mic inputs, an aux input, a pair of XLR and RCA master outputs, 1/4″ booth outputs, and an IEC / three-prong power socket.

I plugged the XDJ-RX2 to my speakers, slotted in a thumb drive, and got to work

The jogwheels on the XDJ-RX2 are the same size as the original. They’re as slick and responsive as any Pioneer DJ controller out there – that’s because these are “touch capacitive”, which means you don’t have to press down on the jogs in order to “stop” a track or scratch. That’s in stark contrast to the mechanical jogwheels that appear on standard CDJs and XDJs, which you have to press in order to get the track playing to stop or if you want to scratch. It’s not a big jump in terms of feel.

What may take some getting used to is how “loose” the jogwheels themselves are: on more expensive CDJs (eg the CDJ-2000NXS2) and the DDJ-RZ there are knobs that let you adjust the jogs depending on how tight you want them. I’ve got used to having them in the tightest setting, so going from tight jogs to the relatively loose jogs on the XDJ-RX2 took me a few minutes to get used to, which led to some overcorrections when it came to speeding up / slowing down a track using the jogwheels. Not a dealbreaker, but one to bear in mind if you prefer tight jogwheels.

Other than that, the jogs performed as they should, and are highly responsive.

One of the big new features on the XDJ-RX2 are the brand new performance pads: gone are the four chiclet-esque blue pads per deck (a product of last-gen Pioneer DJ controllers in the style of the DDJ-SR). In place are eight square, rubber performance pads that have LED backlights. They have a more muted look to them – the lights only appear along each pad’s edge – and they look classy.

They have a nice “fight” to them when you press down, and a quick cue juggle feels satisfying – these have got to be some of Pioneer DJ’s best pads, at least as far as pad feel goes.

The performance pads have a revamped pad function button set as well – you’ve now got Hot Cue, Beat Loop, Slip Loop, and Beat Jump. Hot Cue lets you trigger cue points (which you can now colour-code), Beat Loop lets you place auto loop points of varying sizes, Slip Loop allows you to place an auto loop while the track continues to play and picks up when you remove the loop, and Beat Jump lets you move forwards or backwards in a track in different note values.

The Shift button, formerly sitting in the pad function row (a poor design choice), has now been moved to a spot above the transport controls, which is a better and more logical decision, and also the reason why it’s got more performance pad functions now.
Mixer

The XDJ-RX2 has a two-channel mixer with a three-way switching matrix for three inputs: laptop, line, and phono. Each channel has a three-band EQ with a trim pot, Sound Color FX knob and volume fader. The crossfader has two curves (sharp and smooth), plus a Thru mode for bypassing it.

The line and phono inputs allow you to connect CDJs / line level devices and turntables to the XDJ-RX2, which then acts as a standalone mixer. It’s worth noting that despite the line / phono connectivity, the XDJ-RX2 is not Rekordbox DVS-compatible, meaning you won’t be able to spin timecode CDs or vinyl through it.

The headphone and master output cue buttons now appear in the centre of the XDJ-RX2’s mixer, which is a more logical placement compared to the original XDJ-RX where the cue buttons were on the lower left, presumably to make room for the library browse and load section, which has now been relegated to the touchscreen above the unit.

The screen on the XDJ-RX2 gets a touch upgrade – that means you can now access the Qwerty keyboard found on the XDJ-1000 and CDJ-2000NXS2, and you can also use it to do a “needle search” on a track that you’ve got playing. Unfortunately, that’s the only thing that you can do with it on the XDJ-RX2 at the moment – since multitouch and touch gestures still haven’t made an appearance on Pioneer DJ gear, the touch capabilities on the XDJ-RX2 feel a bit like an afterthought, kind of like a “me too” update. To be fair, the lack of a Qwerty keyboard was one of the biggest gripes of users who own the original XDJ-RX, but it would’ve been nice if Pioneer DJ added more functionality and library browsing convenience via the touchscreen (have you seen what the Denon DJ SC5000 Prime can do?).

Having said that, it’s better than nothing – browsing through your collection and looking for tracks are still miles better on the XDJ-RX2 than in the original because of the touchscreen, and this alone could be enough for DJs who have large collections (eg mobile DJs) to upgrade. You also get the Track Filter button, which lets you specify criteria to help you zero in on tracks in your USB drive, and the user-assignable Shortcut button under the Browse knob, which now appear beside the touchscreen, just like what you’d find on a CDJ-2000NXS2.
Effects


A modern DJM mixer has two kinds of effects onboard: Sound Color FX and Beat FX. Sound Color FX are switchable effects that can be manipulated using the Sound Color FX knob in each mixer channel. This is where you’d find the most commonly used DJ effects such as Filter. The XDJ-RX2 has four: Filter, Dub Echo, Noise, and Sweep, which are the same four that you’d find on the just-released DJM-450 (for reference, the DJM-900NXS2 has six Sound Color FX – Filter, Dub Echo, Noise, Sweep, Crush, and Space).

Beat FX, on the other hand, are more intermediate time-based effects that can be modulated (or modified) using note values or time settings. You are able to manipulate the effect by setting a note value using the Beat knob (eg a quarter note, eighth note, 16th note) or a time in milliseconds thru the Time knob. You can also tap out the tempo using the Tap button. These effects can be great for making big, sweeping builds or sharp, specific techno drum echoes. There are eight Beat FX in all: Delay, Echo, Spiral, Reverb, Trans, Flanger, Pitch, and Roll.

You are also able to select which channels are affected by the Beat FX via a switch: you can choose from effecting individual channels, the mic input, aux input, or the entire master output.

Parrot Minidrone Airborne

The Airborne Night ($129) and Airborne Cargo ($99) drones from Parrot are the latest in the company's Minidrone line, which includes drones that travel through the air, on the ground and in water. They are simple but well constructed drones that kids will love and can be flown indoors or outdoors (with no wind). And, with included bumpers that protect the rotors, they won't trash the house when they crash into things.

Design

There are several varieties of each drone available. We reviewed the Travis variant of the Cargo (yellow, with a miniature figure that clips onto the top via a Lego-compatible brick) and Blaze version of the Night (red with yellow rotors). The Cargo version includes a spot on the top where you can clip on Lego bricks, and the Night version includes some rather bright LED lights on the front for night flying.

Although both drones are made of plastic, they feel robust, and we found that they were strong enough to withstand most crashes. Both also come with plastic bumpers installed that protect the rotors (and the things they crash into), but those bumpers can be removed for outdoor flying. Both are small, measuring about 7.5 x 7 inches with the bumpers installed and about 1.5 inches high. Without the bumpers, they measure about 6 x 6 inches.
How They Compare

The main difference between the two models we looked at is what they are designed to do: The Night features LED lights (as AUKEY MINI DRONE ), while the Cargo has a small space on the back to attach a miniature figure (included) or Lego blocks (not included). The miniature figure weighs just 4.5 grams (about 0.15 ounces), but it can carry more weight. We were still able to launch and fly it with about 40 grams (1.4 ounces) of Lego bricks attached — although the drone definitely struggled, and the weight on top did cause it to tip and crash often.

I did have to be careful to make sure that the Lego bricks didn't get in the way of the rotor blades, so you have to build up without too much weight. Suffice it to say that you might be able to get a few minifigs on there, but a monstrous warship bristling with cannons will need a bigger drone.


Specs



Rotors: 4 (2 blades per rotor), replaceable, 2.6-inch diameter
Battery Size: 550 mAh Li-ion polymer (quadcopter)
Battery Life: 10/9 minutes (claimed/tested)
Size: 6 x 6 x 1.5 inches
Weight: 2.24 ounces (Airborne Cargo), 2.32 ounces (Airborne Night)


Flying



The Airborne drones are very easy to fly. To take off, you just hit the takeoff button in the FreeFlight app (Android and iOS), and the quadcopter lifts off and hovers about 3 feet up. Landing is the same; hit the button, and it does the hard work, dropping the quadcopter until it gently touches down.

NUMARK IDJ PRO

You'll need an iPad, and preferably a pre-Lightning edition running iOS 6 for the best physical fit and features. It does work with the iPad 4 and iPad Mini but you'll need a Lightning-to-30-pin adaptor and you'll have to settle for a slightly less tidy docking connection.

Docked with a 30-pin iPad the IDJ Pro is a thing of beauty. It uses Algoriddim's djay app, which is a great start. djay is fine app in itself but the iPad alone isn't ideal for DJing. When docked with the IDJ Pro, the app can really spread its wings, and most importantly (although it might sound like a minor issue) it can now pump out a stereo master mix and a headphone monitor output at the same time. That alone gives it a huge advantage over rival iPad DJ systems.

Once you've downloaded the djay app (£6.99 from the App Store) and filled your iPad with funky tunes you're all ready to go. The app knows when it's hooked up to the IDJ and automatically switches from its standard iPad mode to IDJ mode, offering extra features and a bespoke interface. From here, control is via a combination of touchscreen input and the IDJ's hardware knobs and faders.In use the NUMARK IDJ PRO is pretty much flawless for this level of DJing. Its tempo syncing is about as accurate as any other, and although you might need to give one tune an occassional nudge to keep it in time, that's all part of DJing. There are plenty of effects to play with too. For example, each deck has its own filter knob: turn it left to roll it down to a bassy rumble or right to resonate your way into the higher frequencies.

Four more effects are available from an onscreen menu, linked to hardware controls on the panel. If that's not enough, you can play around with Kaoss Pad-style effects on the iPad's screen, choose from a bunch of one-touch effects (such as reverse spins) and even tap out your own beats on little drum pads.
More experienced DJs will say a big "Hello!" to the bass, mid-range and treble knobs which can boost or totally kill those frequencies on either deck. Even scratch mixers will find the platters and crossfader are up to the job
If we may talk connections for just a moment, it's good to see (unusually) both a 3.5mm and 1/4in output for headphones, along with inputs for a microphone and an additional sound source, with balanced and unbalanced stereo main outputs. Your performances can be recorded externally or directly to the iPad by simply pushing the onscreen record button at any point.
While the IDJ Pro is ideal for amateurs, jobbing mobile jocks could still find it does all they need with a lot less hassle than other set-ups. It's hard not to love the IDJ Pro once you're in the groove. Laptop and controller combos can offer more, but for a neat one-box solution there's nothing to rival the IDJ Pro.

PLAYSTATION VR CONTROLLER

Compared to Microsoft’s much-hyped Xbox 360 Kinect, Sony’s PLAYSTATION VR CONTROLLER has always had a slightly low-tech feel. Instead of an advanced 3D camera and full-body motion control, Move harnesses the existing PlayStation Eye, a bundle of motion sensors and two glowing plastic bulbs to do the job. Perhaps that’s why some people out there have dismissed it as a sort of high-definition Wii, which is kind-of missing the point. For one thing, since when is that such a bad thing? For another, there’s so much more that Move can do.

As far as the hardware goes, the news is mostly good. The Move controller itself is a great bit of work. Made from the same tough, matt-black plastic as the Dual Shock 3, it’s a solid, sculpted cylinder, with the glowing plastic bulb – which can rapidly and seamlessly change colours – at the top. The unit has a satisfying weight and balance, and it generally feels better in the hand than the Wii’s remote. It’s also powered by built-in Lithium Ion batteries, which last for around seven to eight hours of use.

Beneath the thumb you’ll find the new Move button surrounded by four small buttons, decorated with the classic cross, circle, triangle and square icons, and underneath the index finger, an analogue trigger. As the Move controller never has to double up as a joypad, it improves on the less-than intuitive layout of the Wii remote, and most of the early games seem to focus on the Move and trigger buttons in any case.

In general terms, setup and use is simple. Connect the mini-USB port at the base of the Move with a USB port on the PS3, and the battery charges. Press the PlayStation button while the controller is connected, and it pairs with your PS3. You can then use Move to navigate the XMB interface, holding down the trigger and moving the controller left and right or up and down to make selections, then pressing the Move button to activate the current item. It takes getting used to, but with practice it’s very slick indeed.

Australia’s biggest solar retailer forced to replace non-compliant panels

Euro Solar – the biggest seller of solar panels (for example: GOAL ZERO GUIDE 10 PLUS SOLAR KIT ) in Australia – has been forced by the Clean Energy Regulator to surrender small-scale technology certificates (STCs) or replace modules after being found to have installed non-compliant solar panels.

P & N NSW Pty Ltd, which trades as Euro Solar, was found by the CER to have claimed STCs from non-compliant panels on 10 different rooftop solar installations. In total, this amounted to 1,058 STCs worth around $40,000.

In order to “address its conduct”, the CER says P & N has been asked to validate serial numbers on solar modules for a further 78 installations within 12 months, and for a further 100 installations within 18 months. All the installations have been identified by the CER.

If those installations are found to contain non-compliant panels, P & N will have to either replace those panels or surrender STCs if the homeowners don’t consent to the change. The STC bill could amount to $500,000 if none are compliant.

The CER says the move against P & N is part of a crackdown on rules in the SRES, which provides up-front rebates for rooftop solar installations. To qualify for STCs, solar panels need to have been approved and validated by the Clean Energy Council.

“We are rolling out an innovative compliance program that reaches out into the small-scale technology certificate (STC) creation chain to detect the installation of unapproved panels, which are not eligible for STCs,” the CER says.

Euro Solar has taken a leading position in the Australian solar market because of its deep discounts, the scale of which surprises many competitors.

“P & N NSW Pty Ltd’s compliance procedures did not identify, at the time of STC creation, that the solar PV panels were non-compliant solar PV panels,” the CER said in its statement.

As part of its enforceable undertaking, P & N has committed to validating the other installations and will report to the CER on a monthly basis.

It will also fund the Clean Energy Regulator’s testing of four solar PV panels – randomly selected by the CER – held by P & N NSW Pty Ltd to determine whether the panels have the necessary attributes for accreditation or continuing accreditation.

The CER says enforceable undertakings can be sought in cases to prevent or address serious non-compliance.

“Enforceable undertakings are written statements from a person or organisation that they will do, or refrain from doing, certain things in order to resolve detected contraventions or improve compliance with the legislation,” it says.

The intervention from the CER comes amid growing concerns within the industry about the standards and behaviours of some installers, the quality of some merchandise imported – such as solar panels and inverters – and the need for an awareness program for consumers.

This is something that we go into in detail in our first Solar Insiders podcast with solar industry veteran Nigel Morris, of monitoring software company Solar Analytics, where we discuss some of the quality control issues in the rooftop solar industry.

Morris says the Australian solar industry has been very successful, with more than 1.7 million installations, and nearly 6GW of rooftop solar panels, most of them perfectly fine and performing well.

But no other country has installed such a large percentage of “cheap” solar. Why is this? Possibly because of the Australian eye for a discount, possibly because Australians turn over housing stock more quickly than people in Europe or north America.

There is even a Facebook page called “Crap Solar” put together by installers appalled at instances of lousy workmanship. This has implications for consumers which are worth noting. The Solar Insiders podcast can be found here.

The solar industry has been calling for a crackdown on poor quality installations, and more surveillance of solar panels – almost all of which are imported from overseas – to ensure they are compliant.

“The Clean Energy Regulator takes fraud and deliberate non-compliance seriously and takes necessary action to ensure the integrity of the scheme,” the CER said in its statement.

“SRES participants who are involved in the installation of unapproved panels will be subject to enforcement action by the Clean Energy Regulator. (SRES is the small-scale renewable energy scheme which governs rooftop solar installations up to 100kW).

“We have a broad range of compliance and enforcement options, including suspension of registration and REC Registry accounts, enforceable undertakings and criminal or civil proceedings.”

The CER says it has partnered with the solar industry and peak bodies to allow consumers, along with installers and retailers, to use a new Solar Panel Validation Pilot to check the validity of solar panels.

Participating manufacturers will provide serial number data that will allow installers, retailers and consumers to validate panels.

The CER says STCs created using validated panel data will deliver a higher level of confidence to the Clean Energy Regulator. STCs created without validated data will be examined more closely under our compliance processes and if found to be unapproved subject to enforcement action.

What are the characteristics of a sexual codependent

Firstly, let's think about what codependency is. Codependency is an overworked and overused word and definitions can be perplexing. At the core, it revolves around a deep fear of losing the presence and approval of the "additional". This underlying fear can result in manipulative behaviors that overfocus on maintaining another individual's presence and approval. Control, obsequiousness, anger, caretaking, and being over-responsible are one of the behaviors which could be the manifestations of codependent behavior. Due to dysfunctional family-of-origin issues, Codependents learn to respond rather than respond to other people, take responsibility for others, be worried about others, and depend on others to make them feel useful or alive.

Codependence also indicates the way events from youth unconsciously generates attitudes and behaviors that propel people into destructive relationships in the current. The self-worthiness of the codependent comes from outside sources. They want other people to give them feelings of self-worth. Codependence is a specific connection with one's self in which the individual doesn't trust her or his own experiences. Lacking the inner boundaries necessary to be aware of and express their true wants, feelings, goals, and opinions, they are "other-validating". Having only a reflected feeling of self, they constantly seek affirmation and validation from other people because they are not able to endorse and validate from within. "Self-validating" people have the ability to do this. Co-dependents often concentrate on an addict's sobriety as a way to achieve a precarious sense of self- consolidation. Regrettably, their behavior often perpetuates the loved one's addiction.

Codependent people think they can't survive without their partners and will do anything that they can do in order to remain in the connection, however painful. The fear of losing their spouses and being abandoned (once more) overpowers her ability to make decisions in her own best interests. The thought of addressing the partner's addiction can be terrifying: they may be frightened of igniting the partner's anger that can lead to feeling emotionally flooded by (childhood) fears of loss.

The sex addiction counselors  co-dependent suffers from other symptoms: driven by the possible loss of the connection, which she sees as identical with her very identity, some women engage in sexual addiction counseling with their partners they find distasteful or even morally repugnant - all in a bid to keep him happy and home. However, this type of fantasy-based acting out might not be predicated on her real sex addiction therapist needs and desires and opens the way to turning his partner into yet another object. Certain kinds of porn addiction treatment acting out may turn sex into a different fix for him. The spouse senses this, making her sense of sexual addiction therapy betrayal much more poignant.

In couples where one partner is ciphering off his sensual energies in the primary relationship, there are always difficulties with the couple's own sex addiction treatment NYC expressiveness. He becomes trauma therapy NYC demanding. She expresses her resentment about it by not being sexual anorexia responsive. He may lose sex addiction therapy interest in her, as she never lives up to the thrill of fantasy-based porn addiction help. The sense of having a person-related, intimate trauma therapy encounter may diminish. An erotic expression involving the bunch can easily dry up, leaving the sex addiction treatment NY feeling much more diminished as a woman and as a person.

Sexual co-dependents have an excessive need to get the information straight. "Detective" is a frequent activity: checking his computer, looking up numbers and names, or desperately looking for scraps of paper with numbers written on these. 1 client even invited a prostitute her spouse had frequented into her house because she wished to understand the details. The need-to-know provides the partner with a means to check up on her fact ("Am I crazy or is this really happening?") And provides her with a sense of much-needed (though illusory) sense of command over an out-of-control circumstance. Especially in light of the addict's persistent refusal, the co-addict has a need to provide "evidence" to make sure her soundness of mind -- a ploy that rarely works and is exceedingly exhausting.

The last distinction between sex addiction treatment co-addicts and other co-dependents is that the shame connected with this "secret". Sex as an addiction is seldom discussed in "polite society" and there is a huge social stamina associated with it. Sexually addicted clients frequently tell me that they would rather be alcoholics or drug addicts. The stigmatization of the compulsion almost ensures that the sex addicts NYC will wish to conceal or to provide a good "front" to take care of feelings of pity and despair. She may become socially isolated because she can not discuss the problem with friends. Depression readily enters into an emotional environment of isolation and shame. Keeping secrets about important dimensions of lifestyle ensure that the problems underlying them are not treated.